Ernesto Cardenal Epigramas Pdf
Ernesto Cardenal
Ernesto Cardenal Martínez (born January 20, 1925) is a NicaraguanCatholicpriest, poet and politician. He is a liberation theologian and the founder of the primitivist art community in the Solentiname Islands, where he lived for more than ten years (1965–1977). A member of the NicaraguanSandinistas, a party he has since left, he was Nicaragua's minister of culture from 1979 to 1987.
- Life1
- Recognition2
- Bibliography3
- Poetry3.1
- Notes4
- External links5
Life
A poet and roman catholic clergyman, cardenal is a leading figure in the revolutionary literature of latin america. Epigrama Ernesto Cardenal Pdf 14 GitBook (Legacy) Epigramas by Ernesto Cardenal. Epigrama al perderte yo a ti por ernesto cardenal al perderte yo a ti.
Born into an upper-class family in Granada, Nicaragua, Cardenal is a first cousin of the poet Pablo Antonio Cuadra. Cardenal studied literature first in Managua and from 1942 to 1946 in Mexico. Later, from 1947 to 1949, he continued his studies in New York and traveled through Italy, Spain and Switzerland between 1949 and 1950.
In July 1950, he returned to Nicaragua, where he participated in the 1954 'April Revolution' against Anastasio Somoza García's regime. The coup d'état failed and ended with the deaths of many of his associates. Cardenal subsequently entered the TrappistMonastery of Gethsemani (Kentucky, United States), under the other poet-priest Thomas Merton, but in 1959 he left to study theology in Cuernavaca, Mexico.
Cardenal was ordained a Catholic priest in 1965 in Granada.[1] He went to the Solentiname Islands where he founded a Christian, almost monastic, mainly peasant community, which eventually led to the founding of the artists' colony. It was there that the famous book El Evangelio de Solentiname ('The Gospel of Solentiname') was written. Cardenal collaborated closely with the leftistFrente Sandinista de Liberación Nacional (Sandinista National Liberation Front, or FSLN), in working to overthrow Anastasio Somoza Debayle's régime.
Many members of the community of Solentiname engaged with the process of the Revolution, in the guerrilla warfare that the FSLN had developed to strike at the regime. 1977 was a crucial year to Cardenal's community since Somoza's National Guard, as a result from an attack to the headquarters stationed in the city of San Carlos, a few miles from the community, raided Solentiname and burned it to the ground, with Cardenal fleeing to Costa Rica.
On 19 July 1979, immediately after the Liberation of Managua, he was named Minister of Culture by the new Sandinista regime. He campaigned for a 'revolution without vengeance'[2] His brother Fernando Cardenal, also a Catholic priest (in the Jesuit order), was appointed Minister of Education. When Pope John Paul II visited Nicaragua in 1983, he openly scolded Ernesto Cardenal, who knelt before him, on the Managua airport runway, for resisting his order to resign from the government. The Pope admonished Cardenal: Usted tiene que arreglar sus asuntos con la Iglesia ('You must fix your affairs with the Church'). Cardenal remained minister of Culture until 1987, when his ministry was closed due to economic reasons.
Cardenal left the FSLN in 1994, protesting the authoritarian direction of the party under Daniel Ortega but insists that he has retained his leftist opinions. He is a member of the Movimiento de Renovación Sandinista (Sandinist Renovation Movement, MRS) that participated in the 2006 Nicaraguan General Elections. Days before the election, Cardenal stated, in a clear reference to his dispute with Ortega, that 'I think it would be more desirable an authentic capitalism, as Montealegre's (Eduardo Montealegre, the presidential candidate for Alianza Liberal Nicaragüense) would be, than a false Revolution'.[3]
He is also a member of the board of advisers of the pan-Latin American TV station teleSUR.
Cardenal has been for a long time a polemical figure of Nicaragua's literature and cultural history. He has been described as 'the most important poet right now in Latin America',[4] politically and poetically, he has been a very vocal figure of Nicaragua, and a valid key to analyze and understand the contemporaneous literary and cultural life of Nicaragua. He participated in the Stock Exchange of Visions project in 2007.
During a short visit to India he came in touch with a group of writers called the Hungry generation, which had a profound influence on them.
Date911 MBYesterday198114338 MB105121.3 GB100491.8 GB89381 MB7212743 MB71132.8 GB688422 MB675490 MB66242.4 GB6427.5 GB63633.1 GBYesterday601803.6 GBYesterday5847376 MB5515183 MBYesterday52261.7 GB5235915 MB52121.4 GBYesterday51297 MB5110239 MBYesterday502511 GB50312.5 GB493745.4 GB4910756 MB4931.5 GB47311019 MB464752 MB468158 MB457706 MB459452 MBYesterday44410.5 GB44207494 MB428326 MB4251.8 GB424845 MB4021743 MB3911464 MB398488 MB3611561 MB3618563 MB3522485 MB354529 MB359258 MB3433.1 GBYesterday331695.8 GB33222.3 GB3220985 MB323465 MB317736 MB315397 MBYesterday309.
Recognition
- 1980: Peace Prize of the German Book Trade
- November 1990: Peace Abbey Courage of Conscience Award[5]
- 2005: Nominated for the Nobel Prize in Literature
- 2009: Ibero-American Poetry Prize Pablo Neruda
- 2009: GLOBArt Award in the monastery church in Pernegg
- 2010: Austrian Cross of Honour for Science and Art, 1st class[6]
- 2012: Queen Sofia Prize for Ibero-American Poetry
Bibliography
Poetry
- Gethsemani Ky
- Hora 0 ('Zero Hour')
- Epigramas ('Epigrams')
- Oración Por Marilyn Monroe ('Prayer for Marilyn Monroe')
- El estrecho dudoso ('The Doubtful Strait')
- Los ovnis de oro ('Golden UFOs')
- Homenaje a los indios americanos ('Homage to the American Indian')
- Salmos ('Psalms')
- Oráculo sobre Managua ('Oracle on Managua')
- Con Walker en Nicaragua ('With Walker in Nicaragua and Other Early Poems')
- Cántico Cósmico ('Cosmic Canticle')
- El telescopio en la noche oscura ('Telescope in the Dark Night')
- Vuelos de la Victoria ('Flights of Victory)
- Pluriverse: New and Selected Poems
- El Origen de las Especies y otros poemas ('The Origin of the Species')
Notes
- ^http://www.curbstone.org/authdetail.cfm?AuthID=39
- ^'Revolution ohne Rache' in: Ernesto Cardenal 80. In: Berliner Morgenpost, 10. Juni 2008. Abgerufen am 23. Januar 2013.
- ^La Prensa, November 2, 2006. Managua's Daily Newspaper (in spanish) http://www-ni.laprensa.com.ni/archivo/2006/noviembre/02/noticias/ultimahora/153819.shtml
- ^La Prensa August 26, 2007, (in spanish) http://www.laprensa.com.ni/archivo/2007/agosto/26/noticias/enfoque/.
- ^The Peace Abbey Courage of Conscience Recipients List
- ^'Reply to a parliamentary question' (pdf) (in German). p. 1979. Retrieved 14 January 2013.
External links
- About Ernesto Cardenal - comprehensive bibliography
- Works by or about Ernesto Cardenal in libraries (WorldCat catalog)
- Ernesto Cardenal en MarcaAcme.com
- Bishop Geoffrey Rowell on Cardenal, The Times.
- Stock Exchange Of Visions: Visions of Ernesto Cardenal (Video Interviews)
- Poem set to music
Help improve this article
Compiled by World Heritage Encyclopedia™ licensed under CC BY-SA 3.0Help to improve this article, make contributions at the Citational Source, sourced from Wikipedia
AbstractThis article examines the social dimensions of Ernesto Cardenal's early lyric poetry. Both the secular erotic text Epigramas, and the religious monastic work Gethsemani KY imagine a dualism between the enclosure created by sincere expressions of erotic love and the agora created by the corrupt materialism of the Somoza regime and modernity as a whole. I argue that Cardenal's mapping of a dualism between pure enclosure and corrupt agora derives from the conception of the artist in literary modernismo and represents an ingenious alternative form of social criticism that brings together intimate, collective and moral realities. Author hereby grants, transfers, and assigns to A Contracorriente:(a) the exclusive first serial rights in the Work for publication and distribution throughout the world, as A Contracorriente sees fit, in all languages and formats, by print or any electronic means, including, without limitation, the internet, other public and/or private proprietary intranets and computer networks and on CD-ROMs, DVDs and other discs, before the Work shall appear in any other publication (whether print or electronic), in any manner, format or language, or in any other medium now known or hereafter devised.